Christine Göttler

Monographs

2010		Last Things: Art and the Religious Imagination in the Age of Reform, Proteus: Studies in Identity Formation in Early Modern Image-Text-Ritual-Habitat, vol. 2 (Turnhout: Brepols).
1996		Die Kunst des Fegefeuers nach der Reformation. Kirchliche Schenkungen, Ablass und Almosen in Antwerpen und Bologna um 1600, Berliner Schriften zur Kunst, vol. 7 (Mainz: Philipp von Zabern)

Co-Edited Books

2024		The Eschatological Imagination: Space, Time, and Experience (1300–1800), ed. with Wietse de Boer, Intersections, vol. 96 (Leiden: Brill, 2024).
2023		Landscape and Earth in Early Modernity: Picturing Unruly Nature ed. with Mia M. Mochizuki (Amsterdam: Amsterdam University Press, 2023).
2021		Material Identities in Early Modern Culture: Objects – Affects – Effects (1450–1750), ed. with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack (Amsterdam: Amsterdam University Press, 2021). Open access and book publication.
2019		Reading Room: Re-Lektüren des Innenraums, ed. with Peter J. Schneemann, Birgitt Borkopp-Restle, Norberto Gramaccini, Peter W. Marx, and Bernd Nicolai (Berlin: De Gruyter, 2019)
2018		Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures, ed. with Karl A. E. Enenkel, Intersections, vol. 56 (Leiden: Brill)
2018		The Nomadic Object: The Challenge of World for Early Modern Religious Art, ed. with Mia M. Mochizuki, Intersections, vol. 53 (Leiden: Brill).
2017		Knowledge and Discernment in the Early Modern Arts, ed. with Sven Dupré, Visual Culture in Early Modernity (New York: Routledge)
2016		Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450-1650, ed. with Susanna Burghartz and Lucas Burkart, Intersections, vol. 47 (Leiden: Brill).
2014		Trading Values in Early Modern Antwerp, ed. with Bart Ramakers and Joanna Woodall, Netherlands Yearbook for History of Art 64.
2013		Religion and the Senses in Early Modern Europe, ed. with Wietse de Boer, Intersections, vol. 26 (Leiden: Brill).
2007		Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture, ed. with Wolfgang Neuber, Intersections, vol. 9 (Leiden: Brill).
1998		“Diletto e maraviglia, piacere e stupore”: Ausdruck und Wirkung in der Kunst der Renaissance und des Barock, ed. with Ulrike Müller Hofstede, Kristine Patz, and Kaspar Zollikofer (Emsdetten and Zurich: Edition Imorde).

Online Publication

2014	Reading the Inventory: The Possessions of the Portuguese Merchant-Banker Emmanuel Ximenez (1564-1632) in Antwerp. Project director: Christine Göttler; editors: Christine Göttler and Sarah Joan Moran.

Recent Articles and Book Chapters

2024	“The Marine Venus and Rubens’s Saltcellar: Artists’ Conversations in Antwerp, circa 1628,” I Tatti Studies 26.2 (2024), 319–346 (special issue: Visual Poetry: The Politics and Erotics of Seeing, ed. Shawon Kinew and Felipe Pereda).
2024	“Self-reflection in a Troubled Age: Gillis Anselmo’s album amicorum and an Astrolabe Made by Michiel Coignet,” in Imago et Contemplatio in the Visual Arts and Literature (1400–1700): Festschrift for Walter S. Melion, ed. Stijn P. Bussels, Karl A. E. Enenkel, Michel Weemans, and Elliott Wise, Intersections, vol. 88 (Leiden: Brill, 2024), 420–445.
2023	“The Elements, the Seasons, and a World in Flux,” in Brueghel: The Family Reunion, exh. cat., Het Noordbrabants Museum, ’s-Hertogenbosch, ed. Nadia Groeneveld-Baadj (Zwolle: WBooks, 2023), 60–85.
2023	“Landscape, Mutability, and the Unruly Earth: An Introduction,” in Landscape and Earth in Early Modernity: Picturing Unruly Nature, ed. with Mia M. Mochizuki (Amsterdam: Amsterdam University Press, 2023), 27–71.
2023	“Die Katastrophe in der Galerie: Sodom und Gomorra in der niederländischen Malerei,” in Naturkatastrophen: Deutungsmuster vom Altertum bis in die Neuzeit, ed. Andreas Höfele and Beate Kellner (Paderborn: Brill / Fink, 2023), 235–265.
2022	“‘Un Cupidon Mercurifié’: Sammeln, Reisen, Schreiben und Zeichnen im 17. Jahrhundert,” in Barock: Zeitalter der Kontraste, exh. cat., Landesmuseum Zürich, ed. Joya Indermühle and Christina Sonderegger (Basel: Christoph Merian Verlag, 2022), 150–157.
2021	“Zwei Berner Maler versuchen ihr Glück. Joseph Werner, Wilhelm Stettler und die Kunst der kleinen Form,” in Der Weg zum Glück: Die Berner Kebes-Tafel und die Bilderwelten des Barock, exh. cat., Kunstmuseum Bern, ed. Annette Kranen, Urte Krass, and Nina Zimmer (Bern: Bern Open Publishing, 2021), 165–187.
2021	“Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck,” in Material Identities in Early Modern Culture, 1450–1750: Objects – Affects – Effects, ed. with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack (Amsterdam: Amsterdam University Press, 2021), 233–280.
2021	“Introduction: Materializing Identities: The Affective Values of Matter in Early Modern Europe,” with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack, in Material Identities: Objects – Affects – Effects in Early Modern Culture, 1450–1750, ed. with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack (Amsterdam: Amsterdam University Press, 2021), 23–54.
2021	“Marie Luise Gothein (1863–1931): Geschichte der Gartenkunst,” in Kunsthistorikerinnen vor 1970: Theorien – Methoden – Forschungsfelder, ed. Lee Chichester, Laura Goldenbaum and Brigitte Sölch (Berlin: Dietrich Reimer Verlag, 2021), 64–69.
2020	“The Draughtsman’s Delight: Hendrick Goltzius’s Journey to his ‘Longed-for Rome,’” in Crossing Parallels: Agostino Carracci and Hendrick Goltzius, exh. cat., Graphische Sammlung ETH Zürich, ed. Samuel Vitali and Susanne Pollack (Petersberg: Michael Imhof, 2020), 69–87.
2020	“Tales of Transformation: Hendrick Goltzius’s Allegory of the (Alchemical) Art in the Kunstmuseum Basel,” in Epistemic Images in Early Modern Europe ed. Christopher Heuer and Alexander Marr, 21: Inquiries into Art, History, and the Visual 1 (2020), 403–444.