Last Things: Art and the Religious Imagination in the Age of Reform,

Proteus: Studies in Identity Formation in Early Modern Image-Text-Ritual-Habitat, vol. 2 (Turnhout: Brepols).


Die Kunst des Fegefeuers nach der Refor­mation. Kirchliche Schenkungen, Ablass und Almosen in Antwerpen und Bologna um 1600,

Berliner Schriften zur Kunst, vol. 7 (Mainz: Philipp von Zabern)

Co-Edited Books


Landscape and Earth in Early Modernity: Picturing Unruly Nature

ed. with Mia M. Mochizuki (Amsterdam: Amsterdam University Press, 2023).


Material Identities in Early Modern Culture: Objects – Affects – Effects (1450–1750),

ed. with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack (Amsterdam: Amsterdam University Press, 2021). Open access and book publication.


Reading Room: Re-Lektüren des Innenraums,

ed. with Peter J. Schneemann, Birgitt Borkopp-Restle, Norberto Gramaccini, Peter W. Marx, and Bernd Nicolai (Berlin: De Gruyter, 2019)


Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures,

ed. with Karl A. E. Enenkel, Intersections, vol. 56 (Leiden: Brill)


The Nomadic Object: The Challenge of World for Early Modern Religious Art,

ed. with Mia M. Mochizuki, Intersections, vol. 53 (Leiden: Brill).


Knowledge and Discernment in the Early Modern Arts,

ed. with Sven Dupré, Visual Culture in Early Modernity (New York: Routledge)


Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450-1650,

ed. with Susanna Burghartz and Lucas Burkart, Intersections, vol. 47 (Leiden: Brill).


Trading Values in Early Modern Antwerp,

ed. with Bart Ramakers and Joanna Woodall, Netherlands Yearbook for History of Art 64.


Religion and the Senses in Early Modern Europe,

ed. with Wietse de Boer, Intersections, vol. 26 (Leiden: Brill).


Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture,

ed. with Wolfgang Neuber, Intersections, vol. 9 (Leiden: Brill).


“Diletto e maraviglia, piacere e stupore”: Ausdruck und Wirkung in der Kunst der Renaissance und des Barock,

ed. with Ulrike Müller Hofstede, Kristine Patz, and Kaspar Zollikofer (Emsdetten and Zurich: Edition Imorde).

Online Publication


Reading the Inventory: The Possessions of the Portuguese Merchant-Banker Emmanuel Ximenez (1564-1632) in Antwerp.

Project director: Christine Göttler; editors: Christine Göttler and Sarah Joan Moran.

Recent Articles and Book Chapters


The Marine Venus and Rubens's Saltcellar: Artists' Conversations in Antwerp, circa 1628,

I Tatti Studies

26.2 (2023): 319–346.


“Landscape, Mutability, and the Unruly Earth: An Introduction,” in

Landscape and Earth in Early Modernity: Picturing Unruly Nature,

ed. with Mia M. Mochizuki (Amsterdam: Amsterdam University Press, 2023), 27–71.


“Die Katastrophe in der Galerie: Sodom und Gomorra in der niederländischen Malerei,” in

Naturkatastrophen: Deutungsmuster vom Altertum bis in die Neuzeit,

ed. Andreas Höfele and Beate Kellner (Paderborn: Brill / Fink, 2023), 235–265.


“‘Un Cupidon Mercurifié’: Sammeln, Reisen, Schreiben und Zeichnen im 17. Jahrhundert,” in

Barock: Zeitalter der Kontraste,

exh. cat., Landesmuseum Zürich, ed. Joya Indermühle and Christina Sonderegger (Basel: Christoph Merian Verlag, 2022), 150–157.


“Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck,” in

Material Identities in Early Modern Culture, 1450–1750: Objects – Affects – Effects,

ed. with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack (Amsterdam: Amsterdam University Press, 2021), 233–280.


“Introduction: Materializing Identities: The Affective Values of Matter in Early Modern Europe,” with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack, in

Material Identities: Objects – Affects – Effects in Early Modern Culture, 1450–1750,

ed. with Susanna Burghartz, Lucas Burkart, and Ulinka Rublack (Amsterdam: Amsterdam University Press, 2021), 23–54.


“Marie Luise Gothein (1863–1931): Geschichte der Gartenkunst,” in

Kunsthistorikerinnen vor 1970: Theorien – Methoden – Forschungsfelder,

ed. Lee Chichester, Laura Goldenbaum and Brigitte Sölch (Berlin: Dietrich Reimer Verlag, 2021), 64–69.


“The Draughtsman’s Delight: Hendrick Goltzius’s Journey to his ‘Longed-for Rome,’” in

Crossing Parallels: Agostino Carracci and Hendrick Goltzius,

exh. cat., Graphische Sammlung ETH Zürich, ed. Samuel Vitali and Susanne Pollack (Petersberg: Michael Imhof, 2020), 69–87.


“Tales of Transformation: Hendrick Goltzius’s Allegory of the (Alchemical) Art in the Kunstmuseum Basel,” in

Epistemic Images in Early Modern Europe

ed. Christopher Heuer and Alexander Marr, 21: Inquiries into Art, History, and the Visual 1 (2020), 403–444.